Sally Mann’s body of work is
exceptional. Personally, I thought the
movie we watched on her was enthralling.
I don’t know why Roddy would think we would all fall asleep. I liked the collection of her family pictures
better than the death pictures but something about that project really struck
me. When the gallery cancelled her show
and she was upset about it, eventually she came to realization that it would be
alright if it didn’t get put on the walls.
That maybe it would never get on the walls and that was ok because the
project was something that she needed to do.
I think that when she was talking about that project, that was what
distinguished her as a great artist. Not
just a photographer but an artist. She
wasn’t worried about making money or having anyone see her work, but she
thought her idea and her project were important and she was compelled to finish
it even if no one would display it.
Because she was right, death is something that I think is hard for
people to really look at and appreciate because we want to be so far from
it. It fills us with emotions that we
don’t necessarily want to feel/
But
honestly I liked her earlier pictures better.
I loved the sharp, crisp, faces of her children that were full to the
brim with emotion. She got them to pose
to well and their expressions, expressions that they had just from being
themselves and being children, carried the photographs and really did make them
powerful. Some of the death pictures I
was less impressed with because of the darkness in the prints or the
blurriness, and what Sally called the impurities that she actually liked. But I guess that is what make her different
from me. I like the perfectness of a
photograph and she can appreciate the impurities. I mean, I could appreciate her vision and her
idea for her project and I thought it was thoughtful, provoking, and deep. I’ll just end by saying that I loved the
idea, and I can appreciate her view as an artist, but I wasn’t overly impressed
with the photos. But I was very impressed
with her.
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